Showing posts with label Michael K. Rose Presents: Classic Science Fiction. Show all posts
Showing posts with label Michael K. Rose Presents: Classic Science Fiction. Show all posts

Monday, August 27, 2012

Michael K. Rose Presents: Classic Science Fiction
#2 The Time Machine by HG Wells

Herbert George "H.G." Wells is one of three men who (along with Jules Verne and Hugo Gernsback) have been given the unofficial title "The Father of Science Fiction." If you have not read any of his work, you have certainly heard of it: The Time Machine, War of the Worlds, The Island of Dr. Moreau, The Invisible Man. Only one other writer of the time period had as much of an influence of science fiction: Jules Verne.

Wells's love of literature began accidentally. When he was a boy, he broke is leg and was bedridden. His father brought him books from the library to help him pass the time. Later, his mother, separated from his father, went to work as a lady's maid at a country house in Sussex. He would occasionally visit and the house, having an extensive library, introduced him to many of the classics.

HG Wells
The Time Machine has its roots in a short story Wells published in his college newspaper called "The Chronic Argonauts" (1888). It also involved the use of a time machine but what makes The Time Machine unique is the scope of the work. The narrator does not only travel forward in time to a recognizable future, but travels to the year 802,701. What he finds there is nothing less than a reversal of the classist society in which Wells lived. In his mind, our habit of separating society into two groups: an affluent elite and those who are forced to serve them, will ultimately lead to not only a social and economic separation but a biological separation as well. As society advances, the elites will continue to drive their servants underground, out of sight. The above world will become verdant and idyllic and below the ground, where the workers toil in darkness, will be the machines that create the goods that make the leisurely lifestyle of the elites possible.

Eight hundred thousand years hence, they have evolved into the Eloi and the Morlocks. The Eloi are small and beautiful yet simple-minded creatures. They spend their days playing, eating and relaxing. Belowground, the Morlocks, the descendants of the working class, have evolved into brutish, ape-like creatures. They still provide for the Eloi, providing them with food and garments, but they have come to take something in return: the Morlocks feed on the Eloi.

Wells's future is clearly the imaginings of a man interested in socialism. The class structure has been subverted, and those who kept the working classes down for so long are now no more than animals being butchered and harvested for meat. This is no vision of the noble poor proving that they are inherently better than the rich, as was the case in much of the socialist literature of the time. This is a dire warning that the class system of Britain as it then existed could not continue without severe consequences.

Of course, the class systems has not disappeared but has been globalized. Those of us in affluent countries no longer have to see the very bottom of society: they live not just in other neighborhoods but in other countries, on other continents. But what would really interest Wells, I believe, would be the degree to which we have come to rely on machines. I wonder what Wells's vision of the future would be if he'd lived in our time. He would see that we are growing increasingly sedentary; he would see Western society resting on its laurels; he would see an increasingly automated way of life, in which our every whim is seen to by machines rather than a subservient class. Would the mindless, simple Eloi who are our descendants be ruled over by a network of machines? Will our ever-increasing dependence on technology remove from us the ability to solve problems, to dream up novel ideas? With any and all information literally at our fingertips, will the mind atrophy as it is required to do less and less work?

It is a fun thought experiment to imagine our future. Tell me, if you could press the levers of Wells's time machine and travel forward ten, a hundred, a thousand years, would you like what you found? None of us live for ourselves alone. We live for all humanity, and we live for the future of our species, our planet. Science fiction helps us to understand this. But is understanding enough? What can take us to the next step, what will make us take action to ensure a bright tomorrow?

At the end of Wells's book, the time traveler disappears, along with his machine. Has he gone to try and save the future? Well, you and I can do that in the here and now. The Time Machine may not be an accurate depiction of the future, as things currently stand, but at the very least it should make us consider the possibilities, both wonderful and horrifying.

You can download a free eBook of The Time Machine at Amazon or Project Gutenberg. You may also be interested in Michael K. Rose Presents: Classic Science Fiction #1 -- "A Martian Odyssey" by Stanley G. Weinbaum 

Original Classic Science Fiction image: C.E. Space Scene 1 by Gale Titus
Images of HG Wells and the cover of The Time Machine courtesy of Wikipedia

Tuesday, July 17, 2012

Michael K. Rose Presents: Classic Science Fiction
#1 "A Martian Odyssey" by Stanley G. Weinbaum

Introduction

I would like to welcome you to the first installment of Michael K. Rose Presents: Classic Science Fiction. This series of articles originated on my personal blog with a discussion of Daniel Keyes's "Flowers for Algernon," one of my all-time favorite science fiction short stories. I went on to write three more "Classic Science Fiction" posts on my blog before starting SpecFicPick. After mulling over exactly what I wanted this site to be about, I decided that in addition to showcasing current speculative fiction authors, I would also like it to be about speculative fiction in general. To that end, I opened up the site for article submissions. Then I remembered my "Classic Science Fiction" series, sadly neglected. I decided I would re-launch the series on SpecFicPick, but with one important difference: I only wanted to write about stories that are now in the public domain and, as such, are available for free on Project Gutenberg or through Amazon. (Links will be provided at the beginning of each article so you can read it before reading my commentary.) This will limit my selection, of course, but I wanted to do this because I feel that a lot of readers today aren't familiar with the distant roots of the genre; I wanted to be sure that in addition to reading my articles on these stories, readers have a chance to read the stories themselves. So without further ado, I'd like to begin the series with a true visionary classic of science fiction: Stanley G. Weinbaum's "A Martian Odyssey."

Stanley G. Weinbaum
"A Martian Odyssey" by Stanley G. Weinbaum
(Free at Project Gutenberg or Amazon)

Originally published in the July 1934 issue of Wonder Stories, "A Martian Odyssey" was a highly influential work on the then-burgeoning genre. Isaac Asimov considered it to be a work that changed the way all subsequent stories in the genre were written, and the Science Fiction Writers of America (now known as SFWA) chose it to lead off the fantastic anthology The Science Fiction Hall of Fame, Volume One, 1929–1964, which I recommend highly.

So what made "A Martian Odyssey" so remarkable? The story is a fairly straight-forward adventure tale: an astronaut named Dick Jarvis, part of the first manned expedition to Mars, crashes his auxiliary craft and must travel by foot to return to his comrades. A generation earlier, a story like this would have been set in Africa or India. However, aside from the dated technology and language, this story holds up so well because of the unique way in which Weinbaum created his alien landscape. His aliens were, simply put, incredibly alien. We are introduced to a highly intelligent ostrich-like creature named Tweel, a sinister black tentacle monster with psychic powers, a curious silicon-based creature that excretes blocks of silica and builds pyramids of the silica blocks around itself, and barrel-shaped automaton-like creatures that seems only to exist to feed material into a machine at the core of a tunnel network beneath their "city."

These aliens are fanciful enough, but Weinbaum goes a step further and establishes the fact that not only is their morphology completely alien, but even the way they think is different from the thought patterns of humans. Tweel, Jarvis's companion during his journey, seems to possess a language in which words for different objects--rocks, for example--change from moment to moment. The language, therefore, is situational as opposed to being based on the general commonality between objects. Tweel, Jarvis finds, takes great delight in the fact that for Jarvis, a "rock" is always a "rock."

Even the plant life of Weinbaum's Mars is extraordinary. Jarvis notes a bed of grass that parts as he walks through it. Picking up one of the "blades," he finds that each blade possesses two tiny legs.

Weinbaum wrote a sequel to this story called "Valley of Dreams," but unfortunately he died within 18 months of "A Martian Odyssey's" publication, cutting short the life of a man who, despite his already considerable contribution to science fiction, could have become a giant in the genre. But it is a testament to his imagination and accessible style of story-telling that through a single short story, he made such an impact on all science fiction writers who were to follow.

You can download a free copy of "A Martian Odyssey" from Project Gutenberg or Amazon.

Original Classic Science Fiction image: C.E. Space Scene 1 by Gale Titus
Image of Stanley G. Weinbaum courtesy of Wikipedia